As such, the mosaic becomes an encounter, or rather a reunion, in which fragmentation is not so much denounced as acknowledged, visually referencing the whole from which the particles were extracted.
Complementing his In Hale series, this ornamental wall sculpture continues a path that questions notions of weight and volume. By choosing not a single block of onyx marble to then carve out the volume, but a compilation of tiny stone particles, this questioning takes on an additional dimension, playing with our perception of large and small, and our appreciation of a tiny tile and where it comes from. Namely, that it comes from a stone that also reflects the rock, even the mountain, from which it was quarried.
